In short won’t make any money, will bag plenty of awards, and is simply brilliant.
Never let me go is the third screenplay from writer Alex Garland, who also wrote the novel The Beach. Adapted from the book by the author Kazuo Ishiguro and directed by Mark Romanek it is the story of three friends growing up in an English boarding school in the 1970’s and how their relationships grow and fade over the next two decades. Following so far? All sounding pretty normal at this point I grant you but here is the twist. The film genre is given as a thriller, which it is to an extent, but the real genre of the film is kept hidden to try and stop people being put off from going, because it is a science fiction film and a fantastic one at that.
The film is set in an alternate reality where there have been significant scientific breakthroughs that prolong the life expectancy of people and have all but removed terminal illnesses. Any further explanation of the plot would probably reduce the enjoyment of the film so I’ll concentrate on the reasons why the film is so superb.
First of all the plot is clever, it makes you think and leaves you with questions and ponderings long after the screening has finished. The premises is different to a lot of other science fiction films and its grounding in a reality that, although alternate, is very similar to Britain in the 1970s to 1990s gives it a realism that brings the ideas of the film home with so much extra force. Although a voiceover at the end seems to almost forget the intelligence it has assumed the audience as possessed throughout the rest of the film, it isn’t enough to stop the film being exceptional.
If the plot and central idea did not make this film stand out enough the emotion of the story certainly will. A love story but not in the normal sense, as the story reaches its climax there are more than enough touching and poignant moments.
But the main reason for watching this film is simply the three main performances. Keira Knightley, Andrew Garfield and Carey Mulligan are all gripping in their understatement and all will surely be tipped for awards.
As the confident and eager to seem worldly Ruth, Knightley gives the kind of performance we know she is capable of and lead performances in larger American films such as A Dangerous Method and The Emperor’s Children will show if her career is continuing the impressive acting trend seen from Atonement onward. Garfield as the emotional and often confused Tommy announces himself as most definitely an actor to be watched. And by showing the awkwardness that is necessary for the webhead, the upcoming Spiderman reboot has made a great choice for Peter Parker. Finally as the leader of the piece Cathy, Mulligan follows up her fantastic performance in An Education with another role worthy of at least an Oscar nomination. The maturity and skill with which she handles her performance point to the simple conclusion that she is one of Britain’s best actresses.
Easily a five star film and one that will be heavily nominated at the BAFTA’s (I’m betting 7 or 8) with 3 or 4 nominations at the Oscars with at least one for one of the leads.